Vol. 6, Issue 11, Part G (2020)

Abstract
Filmmaker Wes Anderson has developed a distinct aesthetic style that is easily recognizable through his use of striking color palettes. The purpose of this research was to draw conclusions about social stratification, social construction and the role of family as they relate to color palettes in Anderson's films. Relying on the auteur theory, the research related Anderson's personal experiences with those of his characters and aimed at discerning the importance of color as it connects to social structure.